Joyce & Jung offers a uniquely feminist poststructuralist and post-Jungian psychoanalytic analysis of Stephen Dedaluss psychosexual growth in James Joyces twentieth-century classic A Portrait of the Artist as a Young Man. Hiromi Yoshida relocates Stephens growth within the Jungian soul-portrait gallery, known as the "four stages of eroticism," in which Eve, Helen, Mary, and Sophia are collective anima projections. Throughout this dazzling lyrical analysis of poetic identity formation, the mother, the prostitute, the Virgin Mary, and the Bird-Girl are celebrated as Stephen Dedaluss ironically experienced anima women, who enable his achievement of cross-dressed lyric authority.

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Hiromi Yoshida is an independent literary scholar and a poet. She has taught for the Departments of English and Comparative Literature at Indiana University Bloomington. Her scholarly interests include James Joyce, Sylvia Plath, the Beat Generation, the psychoanalysis of gender and race, and poststructuralist poetics. Her literary criticism has been published in Plath Profiles, and she has authored three poetry chapbooks, Icarus Burning, Epicanthus, and Icarus Redux.