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Genres of Mark

Reading Mark's Gospel from Micro and Macro Perspectives, Studia Aarhusiana Neotestiamentica - SANt 009, Part

Erschienen am 14.11.2022, 1. Auflage 2022
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Bibliografische Daten
ISBN/EAN: 9783525560600
Sprache: Englisch
Umfang: 237 S.
Einband: gebundenes Buch

Beschreibung

One of the most fundamental questions when reading and trying to understand New Testament texts is the question of genre. It is impossible to understand a text, its meaning and intention, in its proper historical setting if one does not understand its genre: As an example, interpreting a satirical text without understanding the genre would no doubt lead to grave misunderstandings. The same logic applies to texts from the New Testament, and the matter is complicated even further by the immense historical gap between the time of the genesis of the New Testament canon and now. The problem of the New Testament texts genre(s) is therefore a vital area of scholarly discussion within international New Testament scholarship. The current volume utilizes the newest insights from current research on the New Testament to cast new light on the question of the genre of Marks Gospel. Here, prominent international New Testament scholars discuss how we should understand the genre(s) of Marks Gospel, thus making an important contribution to international scholarship on the Gospel of Mark as well as the Gospel genre in general.

Autorenportrait

Dr. Tobias Hägerland is senior lecturer at the University of Gothenburg, Sweden.

Schlagzeile

The current volume utilizes the newest insights from current research on the New Testament to cast new light on the question of the genre of Marks Gospel. The matter is complicated by the immense historical gap between the time of the genesis of the New Testament canon and now. Here, prominent international New Testament scholars discuss how we should understand the genre(s) of Marks Gospel, thus making an important contribution to international scholarship on the Gospel of Mark as well as the Gospel genre in general.

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